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Art

The Second Word V: On Images and Art, Part 3

The Failure of the Church Yet a third factor played an important role in this historical development, in addition to the imperial adoption of icons and the rise of the icons of the holy man. Brown writes: "The great Christian basilicas of the previous centuries tended to stand empty, except…

by James B. JordanSeptember 4, 1998
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Biblical Horizons

Patriarchal Dominion

The three large patriarchal narratives of Genesis concern the three aspects of the cosmos: matter, space, and time. Over these three is man given dominion. Lucifer was originally appointed to train man in this dominion, but he chose to lead man into rebellion instead. Thus, the Angel of Yahweh replaced…

by James B. JordanAugust 4, 1998
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Biblical Horizons

The Case Against Western Civilization, Part 6

Part 6: Living in a Dying World (continued) The "Trivium" (continued) The five stages of education are simply the five stages of the covenant as God administers it in human life and history, and in the liturgy of covenant renewal: First, God announces Himself. "I am Yahweh Your God." He…

by James B. JordanAugust 4, 1998
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Biblical Studies

Re-creation in the Ascension Offering

The following essay is tentative and exploratory, offered for your consideration. It seems to me that the ritual of the Ascension Offering (incorrectly translated as Burnt Offering) of Leviticus 1 is a symbolic recapitulation of Genesis 1, which thereby portrays the sacrificial ritual as way of moving from a fallen…

by James B. JordanJuly 4, 1998
Biblical Horizons

The Framework Hypothesis: A Gnostic Heresy

Just as the vast majority of evangelical Christians in America today are Arminian and Baptist, so the vast majority do not believe in a creation around 4000 BC. I don’t expect any of these three situations to change anytime soon. Powerful presuppositions are at work in all three instances, along…

by James B. JordanJuly 4, 1998
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Art

The Second Word V: On Images and Art, Part 2

The Iconoclastic Controversy Continuing Pagan Influence How did images creep in? To begin with, there was in the post-Constantinian Church a concerted effort on the part of the semi-pagans to interpret Christianity in essentially pantheistic terms. The heretics put God and man on a continuum of "being," so that God…

by James B. JordanJuly 4, 1998

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Life in a Medieval Parish

“Parochial Christianity,” writes Mark Greengrass ( Christendom Destroyed ), “was more than a religious experience. It was a set of rights to benefices which were the key to monopoly revenues (the tithe, collected in various forms) in which patrons, collators and clergymen all had interests. And behind every parish church…

June 5, 2015

Crusoe Errant

Robinson Crusoe suffers enormous hardship before he ever gets to his island, and the hardship seems disproportionate to the wrong he commits. Is running off to sea against his father's wishes such an enormity? In his classic study of Defoe and Spiritual Autobiography , GA Starr explains that Robinson “defies…

June 4, 2015

Restorative Justice

Howard Zehr makes clear in his Little Book of Restorative Justice that “restorative justice” isn't a panacea. It doesn't pretend to replace the the legal system, nor is it necessarily opposed to retribution (12-13). Primarily, restorative justice is an effort to put the principle actors back at the center of…

June 4, 2015

Gift of Work

RJ Snell's Acedia is about acedia. But before he gets to his extended analysis of that vice, he offers a superb, brilliantly brief, ontology and anthropology, drawing on the resources of Trinitarian theology and the book of Genesis. Among other things, Snell emphasizes the gift that is human work, a…

June 4, 2015

On a cloud

John sees one like a son of man on a cloud, holding a sickle (Revelation 14:14). We assume that He's traveling down to reap the harvest, but is that correct? The original for this son-cloud combination if Daniel 7:13, where it is clear that the Son of Man comes up…

June 4, 2015

Ideological art

D avid Goldman ( It's Not the End of the World, It's Just the End of You ) argues that “modern art is ideological, as its proponents are the first to admit. It was the ideologues, namely the critics, who made the reputation of the abstract impressionists, the most famous…

June 3, 2015

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