Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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Jonathan Ree’s delightful I See A Voice glances at Enlightenment-era efforts to work out analogies between color and musical harmonies. Newton’s Optics was key. He argued that “just as all different tones can be located on a single scale running from the highest to the lowest pitch of audible sound,…
We don’t hear sounds, Heidegger said. That’s an abstraction. What we hear are things making sounds - “the creaking wagon, or the motor cycle . . . the column on the mark, the north wind, the woodpecker tapping, the fire crackling” (quoted in Jonathan Ree, I See A Voice ,…
Voice has often been seen as expression, as the coming into public space of something within. Given its reliance on breath, it was easy to conclude that voice is the expression of the soul. According to Ree ( I See A Voice ), it was Herder who broke through this…
Diane Thompson concludes her essay in Dostoevsky and the Christian Tradition with this superb description of the place of God’s Word in the words of Dostoevsky’s novels, and his characters: “Dostoevsky’s feeling for the dynamic aspect of the Logos was exceptionally strong, as was his gift for making it a…
Consciousness enters the world and the stones remain stones and the sun the sun. Still existence becomes completely different when consciousness arises, Bakhtin argues in Speech Genres . This happens become the coming of consciousness is the coming of “the witness and the judge” (137). “A stone is still stony…
Nabokov didn’t much like Dostoevsky. What interests him in literature is “enduring art and individual genius,” and from this viewpoint Dostoevsky is mediocre: “with flashes of excellent humor, but, alas, with wastelands of literary platitudes in between” ( Lectures on Russian Literature , 68). His characters are mentally unbalanced, his…
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