Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
My first title for this series of posts was “Evangelical Sacramental Ecumenism” – not exactly a clickbait title. But those three words, evangelical, sacramental, and ecumenical, say a lot: The centrality of the gospel; a focus on baptism, bread, and wine; and the quest for visible unity among diverse churches.…
I can imagine someone reading the title of this essay and saying to himself, "I have two questions. First, what in the world is “contextualization”?" Second, even before hearing the answer to the first question, he may wonder, "what does baptism have to do with such an awkward and vague…
Deuteronomy 21:18-21 My colleague Ralph Smith has recently written on this passage, here . I entirely agree with Ralph's thrust, which is typological, that the passage is ultimately aimed at the entire nation of Israel itself as the rebellious son. But what I am thinking is from another perspective, perhaps…
In the previous article in this series, I drew attention to the threefold meaning of the Spirit of God descending as a dove on Jesus at His baptism. On a related note, I also argued that 1 Corinthians 6:9-11 and Titus 3:3-7 were parallel passages that addressed the same issues…
The National Anthem protest is misguided. So too the conservative backlash. The Church’s response has been disappointing. I address each in turn. The greatest triumph of the American Civil Rights Movement was its seizing of the moral high ground in American politics. It did so by insisting only on those…
Peter Leithart’s book, The Priesthood of the Plebs: A Theology of Baptism , argues that baptism is parallel to and the fulfillment of the old covenant rite of priestly ordination. But this is not something explicitly stated in the New Testament. Why, then, should we believe it? Leithart shows in…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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