Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Place names become fraught with meaning by association with people and events. The name “Wittenberg” calls to mind Luther and the Reformation for Protestants and Catholics alike. Geneva has a wider range of associations, but the Reformation Wall, with its four main statues of William Farel, John Calvin, Theodore Beza,…
“…a mystery without a solution, a horror story without savagery, a nightmare in which all the watches stop at noonday…” The Bestial Gardens of Men Then they will say to the mountains, “Fall on us!” and to the hills, “Cover us!” (Luke 23:30) The following lines by Edgar Allan Poe,…
2 Samuel 11-12, which record David’s sin with Bathsheba and its aftermath, is structured chiastically: This arrangement highlights several things about the episode. It reinforces what is obvious from even a casual reading, that the transition in the story occurs with Nathan’s confrontation of David’s sin and David’s confession. Up…
Medieval bestiaries are packed with quaintly inaccurate information about animals, birds, and other created things. Foxes and snakes are devilish critters; stags, pelicans and elephants are Christlike in their various ways. Of course, the medievals picked this up from the Bible, where bestiary observations are fairly common. “Go to the…
What do Reformational Catholicism and craft beer have in common? The question seems to beg for a punchline. Better yet, it would be pretty good clickbait for an article on Katharina von Bora’s “spirited” contribution that helped spark the Protestant Reformation. Well, this is no joke and I am certainly…
Suffering Defined Suffering happens. We witness it all around us and experience it in our lives. It often comes from forces beyond our control. Suffering is inscrutable; it strikes unexpectedly, on a bright summer day or a cold winter night. We lament and are bewildered by suffering. But we are…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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