Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I grew up on the north side of Chicago. My parents were evangelicals and I was raised in the faith. I graduated from a large public high school in which practicing Christians were very few and very far between (though nominal Roman Catholics and Eastern Orthodox were in abundance), which…
During the recent round table discussion on the future of Protestantism , Peter Leithart advocated a much greater degree of unity in the Church than we presently enjoy. Another participant in the discussion wondered aloud how Leithart's vision would be different from the ministerial associations that presently exist in many…
"But he, wanting to justify himself, said, 'And who is my neighbor?' And Jesus said to him, 'First, your neighbors are the people in your church, then the ones with whom you enjoy greatest doctrinal or ecclesiastical commonality, then those with whom you enjoy less commonality.'" -Said Jesus... never Since…
A number of years ago, I came across something in the Puritan Thomas Goodwin in regard to John 17:22. Goodwin points out that Jesus prays that they (the disciples) might be given the glory of the Father as a means to an end. The end is unity, and the means…
In her prize-winning book, Gilead , Marilynne Robinson uses the pastoral settings of Iowa to challenge ministers to live up to their high callings. One of the most powerful themes in the novel is the pastor’s power to “bless.” The tension in the novel builds as we watch Rev. Ames…
One of the few glaring errors of the Protestant Reformers was the failure to welcome children back to the Lord's Table. Something that seems to go along with this was the exclusion of other kinds of Christians, primarily Roman Catholics, from Holy Communion in Protestant churches. Exclusion of Roman Catholics…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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