Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Protestant-Catholic relationship has hardly been an untroubled one. And yet, the possibilities for various layers of reconciliation are better then at any time since the original schism 500 years ago. One of the symbols for the church that is used in Scripture is the church as a household (Ephesians…
Despite the layers of wiping, covering, and ransoming during the Day of Recoverings, true unity still has not been achieved. Divorce is still possible; God still might leave his people. Thus the Day of Recoverings must be repeated every year. The perpetual expression of unity between God and man in…
The events of Leviticus 16 are commonly known as “The Day of Atonement,” from the Hebrew phrase yom hakippurim, in Leviticus 23:27. However, it would be more accurate to say, “The Day of Atonements,” [i] since the word is plural. The plurality primarily relates to 16:33, which states five different…
Mary Douglas, against the common notion that primitive religious rituals were illogical and random asserts, “The analysis of ritual symbolism cannot begin until we recognize ritual as an attempt to create and maintain a particular culture … Any culture is a series of structures which comprise social forms, values, cosmology,…
Jesus holds seven stars. They are the angels of the seven churches (Revelation 1:20). For ancient readers and hearers, "seven stars" would evoke a number of associations - the seven planets, the seven stars of Ursa Major, and the seven stars that make up the Pleiades. The last makes a…
When he first arrives in Harran, at Paddan-Aram, the home of Laban his uncle, Jacob sees a well. Wells are mentioned frequently in Genesis. Twice Hagar finds a well in the wilderness (Genesis 16:14; 21:19). Philistines seize Abraham’s well (21:22-34), and Abraham’s chief servant finds a wife for Isaac at…
Showing page 175 of 309
Showing page 42 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
