Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
OUR REFORMED HERITAGE When a Reformed Christian hears “baptismal regeneration,” what comes to mind? “Heresy,” most likely. Unfortunately, many in the Reformed community today have lost touch with some important aspects of their own heritage. If Reformed theology is going to continue reforming according to Scripture, we must recover the…
Faith and assurance are recurring subjects of controversy in Evangelical circles. We all agree that we are saved by the righteousness of Christ reckoned to us, which we receive through faith alone. Jesus lived and died and rose again as the representative of his people so that all of them…
What’s at stake (or not!) for Reformed Pastors regarding the contemporary discussion of Paul and “the works of the law”? There has been a great deal of talk lately about “the New Perspective on Paul” and the works of, among others, Ed Sanders, James Dunn, and N. T. Wright. Each…
When Christ enjoins upon the young man the duty of following him (Mt. 19:23), he does not give a counsel, but a command to all in common because no one can have a hope of salvation unless he follows Christ (2 Pet. 2:21), although from a particular cause it is…
This short paper is not an attempt to provide a comprehensive analysis and defense of N. T. Wright, much less the so-called “New Perspective on Paul” as a whole. Indeed, Wright’s theological project has some failings and the New Perspective as a movement must be considered a mixed bag of…
Leviticus 1:3-13, Translation 3 If his Nearbringing is an Ascension from the herd, a perfect male shall he bring him near. To the forecourt of the Tent of Meeting he shall bring him near, for his acceptance before Yahweh. 4 And he shall lean his hand on the head of…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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