Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In a recent article in Biblical Horizons , I argued that the imagery of James 1:21 alludes to baptism, and particularly to baptism as an ordination and incorporation into the holy priesthood. This understanding of baptism as ordination to priesthood is not, I have since discovered, original, but in fact…
He will be a priest on his throne, and the counsel of peace will be between the two of them (Zechariah 6:13b). A prime difficulty in the interpretation of this verse is the antecedent of the pronoun "them." A number of alternatives have been offered. Some suggest that the "two"…
Like certain kinds of music, the unchanging rhythm of Aquinas's Summa gets into your bones. Read a few sections and it begins to run through your head. You start drumming your fingers, humming, swaying gently to the rhythm of Videtur-Sed Contra-Responsio, Videtur-Sed Contra-Responsio, “It seems-On the contrary-I answer.” The only…
The Book of Revelation is a gold mine of liturgical information. The various hymns and exclamations in Revelation have always been used in Christian worship. As I have been studying Revelation this year, it occurred to me that make a complete hymn out of the various hymns in the book.…
In the book of Revelation we find a triad of Strong Angels, and another triad of Other Angels. The purpose of this essay is to explore the Biblical background of these two sets, and thus fill out their meaning. The first triad of angels we encounter in the Bible comes…
In Revelation, the term aggelos means messenger, of course, but with a special emphasis on messenger as covenant administrator. This is immediately obvious from the fact that the angels are constantly acting to enforce the covenant one way or another: sealing people, bringing judgment, calling for repentance, etc. They are…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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