Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What do you think of the way "creation science" uses the "second law of thermodynamics" to argue that human society will become more and more depraved, and that the universe is running down? Creation Science is not monolithic, and so it would be unfair to say that everyone working in…
From time to time we receive questions that are interesting, and that other people would also be interested in. I'll [address] two such questions in this issue [and the next]. I recently made a will which, in the event that my wife does not survive me, grants my eldest son…
As we go from Old Testament chronology to New Testament chronology, it will be a good idea to examine a deep-seated myth that is profoundly intertwined with Biblical Christianity. I have in mind the myth that there is in the Bible such a thing as a collection of books called…
Several years ago, the Wall Street Journal gave prominent recognition to a book called Who Wrote the Bible? The book was a popularization of the famous "Documentary Hypothesis," which claims that the Pentateuch was not the work of Moses, but was a (rather incompetent) pastiche of contradictory sources written much…
The epistle of James has long presented dificulties for New Testament scholars. Its seemingly moralistic tone, its apparent inattention to theological concerns, its defense of "justification by works" all have made it dificult for interpreters to discern its compatibility with other New Testament books. Luther’s dismissal of James as an…
Why the Lamb? But why the lamb? We have seen that the bull was the offering for the sins of priests, especially as they represented the nation before God in His house. Wasn’t Christ the greatest of all men? Wasn’t He the Great High Priest? Should He not rather be…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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