Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The corona virus hit Western society like a Biblical plague — almost. Biblical plagues were actually much more devastating. Still, as Peter Leithart describes the present situation, it is a judgment from God, because the disease itself together with our political solutions brought about a social situation that fits Deuteronomy’s…
“The achievements of theologians don’t do anything, don’t affect anything, don’t mean anything. What makes anyone think that ‘theology’ is a subject at all?” - Richard Dawkins One cannot be a Christian college president or seminary trustee (your essayist is both) without wondering if Richard Dawkins’s notorious take-down of theology…
Nearly every church that I am aware of has adopted differing practices since the recent virus scare began. Some churches continued to meet during the state lock downs, and other churches left their building empty, meeting online through various video conference technologies. Some churches have gone back to life as…
Fear is an inseparable companion of human life. We are afraid of illness and death, poverty and cataclysms, rejection and betrayal, failure and shame. We are afraid of the unknown, so in a sense we are afraid of the future and life itself. Unless we live in the illusory belief…
In the title above, I put the word “heresies” in quotation marks because I would prefer that the word “heresy” be confined to erroneous beliefs about the Trinity and the Person of Christ, rather than be used broadly to describe any view that might be considered an error. 1 At…
I’ve been trying to work out why I’m feeling existentially disconnected from CoV-19-related fears. I’m taking it seriously, but it’s not registering in any deeply personal way. Partly it’s that my routines are largely undisrupted. But as I reflect on people’s reactions I think there’s more, because a lot of…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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