Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
So far I have claimed that, especially in this era of fragmentation, we seek some way to integrate our lives. I have suggested that the view that modernity holds of what knowledge is has actually been a critical source of the fragmentation we sense in the modern West. Imagining knowledge…
The Theopolis Institute has appointed John Crawford as Executive Director. John has been a student in the Junior Fellows Program this year, and proven to be an enthusiastic and articulate advocate of Theopolis's vision. "Theopolis brings a unique, comprehensive paradigm to cultural change - with the Church at the center,"…
Metaphor is already intrinsic to the Trinity. Jesus is not the Father. And then again, He is indwelt by the Father, and He in turn indwells the Father. “He who has seen Me,” Jesus said, “has seen the Father.” This fundamental is/is not relationship is the relationship of metaphor. A…
James, a bond-servant of God and of the Lord Jesus Christ, to the twelve tribes in the diaspora, greetings (James 1:1). Though the epistle of James is considered a "general" epistle, the letter originated from particular circumstances that can be discerned from the New Testament. In order to sketch its…
Before considering the details of the Leviticus, we must have before us certain matters that have been established in Genesis and Exodus. These are things that we as Israelites already know when we first hear Moses report what God dictated to him in Leviticus. Adam Let us begin with Adam.…
For Part 1 of this series, click HERE . The great question for the emerging East, Asia and other awakening third world areas, for an emerging nation like China is, “what fate awaits them?” They are now emerging from an analogous paganism that the West emerged from centuries ago. Here…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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