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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Authority

Eldership and Maturity, (Part 2)

(continued from previous issue) Between 30 and 50 What did the Levites do between age 30 and 50? Numbers 4 shows us that they carried the house of God on their shoulders. Lifting up the Lord is an image of worship in the Bible, and David’s restructuring of the Levites…

by James B. JordanJuly 8, 1995
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Romans

The Great Hangover, Parts 1-2

When God created the world, He created two lands: the Throne-land of Eden (entered through the sanctuary-garden, the Garden of Eden), and the Outlying Lands, such as the lands of Havilah and Cush. This essentially bi-polar world is the world of the Old Creation, and it continued to exist until…

by James B. JordanJuly 5, 1995
Architecture

Concerning Colors, Architecture, and Sacraments

Color is inescapable, except for those who are color blind. In our church architecture, we either employ color schemes that are helpful to worship, or we employ color schemes that are not helpful. Of course, this assertion merely begs the question: What color schemes are most helpful. God showed interest…

by James B. JordanJuly 4, 1995
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Baptism

Jesus’ Baptism Into Priesthood

As I noted in an earlier article in Rite Reasons , the Church Fathers Tertullian, Ambrose, and Augustine all claimed that baptism inducts the baptized person into membership in the royal priesthood of the church, and Thomas Aquinas said that baptism, by imprinting an indelible “character” on the soul, confers…

by Peter LeithartMay 26, 1995
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Baptism

Renewing Circumcision

When the Aaronic priests were ordained, the blood of the ram of "filling” was placed on the lobe of the right ear, the right thumb, and the right big toe (Lev. 8:22-24). Similarly, the cleansing rite for a leper included smearing the right ear lobe, thumb, and big toe with…

by Peter LeithartMay 14, 1995
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Daniel

A Correction on Daniel 7

In my Preliminary Commentary on Daniel , which many of you have obtained, I argued in chapter 13 that the four monsters called up from the sea by the evangelistic work of the four winds (the saints) represented the deep hatred of God that evangelistic work brings to the fore…

by James B. JordanMay 7, 1995

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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