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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Authority

The Restrainer

When Samuel saw Saul, Yahweh answered him, "Behold, the man of whom I spoke to you! This one will restrain My people" (1 Samuel 9:17) Many English versions of 1 Samuel 9:17 read, "This one will rule over My people," but that is a mistranslation. The Hebrew verb is `atsar…

by James B. JordanDecember 4, 1992
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Acts

Chronology of the Gospels

We have arrived at the tentative date of A.M. 3474 for the decree of Cyrus, and we have determined to operate as if the 70 weeks of Daniel 9 are literal years. We also decided that Messiah the Prince arrives at the beginning of the 70th week, after the 69…

by James B. JordanDecember 4, 1992
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Biblical Studies

The Dramatic Structure of Proverbs

The book of Proverbs appears as a largely random collection of aphorisms drawn from experience saturated in law. Despite its random arrangement, however, the book does have an over-arching structure that reinforces its main themes. One way to gather clues regarding the structure of a biblical book (or any book)…

by Peter LeithartNovember 17, 1992
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Leviticus

Leviticus 27

I recently had the privilege and pleasure of reading the first draught of Gary North’s Economic Commentary on Leviticus , which will be out some time next year. Gary’s comments on Leviticus 27 were stimulating, and caused me to take another look at the passage. The results, which I sent…

by James B. JordanNovember 4, 1992
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Daniel

Bridging the Last Gap: Daniel’s Seventy Weeks Revisited

As we have seen in this series, each time there is a new covenant, there is a break in the year-by-year chronology. At the same time, each time the break is crossed by information provided in the text. Thus, the year-by-year chronology breaks down at the birth of Abraham, but…

by James B. JordanNovember 4, 1992
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Art

The Openness of Literature & the Mystery of Art

The Openness of Literature Let’s discuss literature for a moment. There are two ways a story or novel can close. The first is called poetic justice. When a story ends with poetic justice, the bad guys are all punished and the good guys are all rewarded. This kind of story…

by James B. JordanNovember 4, 1992

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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