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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Studies

Advice From a Sojourner, Part 2

In our first essay in this series ( part 1 ), we saw that Proverbs 30 opens with a puzzle, a cryptic sentence that challenges the reader to search out a matter in order to gain understanding. "It is the glory of God to conceal a matter, but the glory…

by James B. JordanOctober 26, 1989
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Isaiah

Hezekiah’s Sign

The story of Hezekiah’s illness and recovery is familiar to every child who has attended Sunday School. Informed that he would die, faithful King Hezekiah pleaded in tears for a longer life. God heard his prayers and saw his tears, and promised fifteen more years. As a sign that He…

by Peter LeithartOctober 13, 1989
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Proverbs

An Antidote for Yuppie Postmillennialism

1. The Blessed Hope "Looking for the blessed hope and the appearing of the glory of our great God and Savior, Christ Jesus." Titus 2:13 I was recently asked how I as a postmillennialist would preach on "The Blessed Hope." This is often a sticky question, because postmillennialists believe that…

by James B. JordanAugust 26, 1989
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American Culture

Elijah’s War with Baal

1. Jeroboam and Ahab After Solomon died, the people came to his son, King Rehoboam, and asked for tax relief. Rehoboam refused to give it, and indeed told the people that he was going to tax them even more severely than his father had. At that point, with the blessing…

by James B. JordanJuly 26, 1989
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Biblical Horizons

The Love Feast

One aspect of truth is unity. It was Truth Incarnate who prayed for the unity of His people in John 17, which certainly makes unity a priority for them as well. In one sense, we know by faith that the Church is always invisibly unified in Christ, but there is…

by James B. JordanJune 16, 1989
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Biblical Studies

The Son of Joseph, Revisited

Mr. Paul Miller of Vancouver writes that he is not persuaded by my remarks on Luke 4 on " The Son of Joseph ." He calls attention to Mark 6:1-6, where Jesus came "to His own part of the country," taught in the synagogue, and astonished many. The people said,…

by James B. JordanMay 16, 1989
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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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