Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…
John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…
John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…
Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…
The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…
The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…
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Kumar notes that the 1960s counter-culture set itself against everything in modernism: “Pop art and pop music, the ‘new wave’ in cinema and the ‘new novel’ in literature, thne elision of the boundaries between ‘art’ and ‘life,’ the cultivation of sensibility through sex and drugs rather than aesthetic contemplation of…
In a 1965 essay, Leslie Fiedler celebrated the new movements of the 1960s as post-modern, post-Freudian, post-Humanist, post-Protestant, post-white, post-male.
Kumar suggests that there is no useful distinction to be made between postmodernity as a socio-political concept and postmodernism as a cultural concept. All the instincts of postmodernists are against such a differentiation of spheres. For postmodernists, it is no longer useful to distinguish subsystems within the social world -…
Kumar defines modernism as an intellectual, cultural and artistic revolt against modernity. Yet modernism itself, especially as expressed in architecture, was complex and racked with internal contradictions: “It could denounce the ‘inauthentic’ present in the name of the future, as in Futurism and Constructivism; and it could with equal force…
At least two: The modernity of science and technology, the factory system and city planning, of bureacracy and management. And on the other hand the modernity of sensibility, literature, hedonism, the lust for ever-new experience. On the one hand, Industrialization; on the other, the Romanticism that challenged it. On the…
“Constant revolutionizing of production, uninterrupted disturbance of all social conditions, everlasting uncertainty and agitation . . . All fixed, fast-frozen relationships . . . are swept away, all new-formed ones become antiquated before they can ossify.” Zygmunt Bauman? No: Marx and Engels, in the Communist Manifesto .
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