Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
G.K. Chesterton assumes a surprising and memorable perspective from which to view the events of Palm Sunday (Matthew 21:1-11) The Donkey by: G.K. Chesterton When fishes flew and forests walked And figs grew upon thorn, Some moment when the moon was blood Then surely I was born. With monstrous head…
There is a common biblical principle: you must give back what you steal. In the Bible, restitution is repayment with interest. If you rob someone of their money, you have to pay back double what you stole. A thief must pay back fourfold if he steals a sheep, and if…
Identifying Isaiah’s suffering servant with the promised Messiah is unthinkable for a Jew because it combines the offices of humble priest and victorious king. While it is frustrating that Jews refuse to see the sufferings of Christ in Isaiah 53, the reluctance of Christians to interpret the passage in its…
Let everything that has breath praise the Lord! Praise the Lord! Psalm 150:6 (ESV) The command to praise God is pervasive throughout Scripture. In the verse above the Spirit calls all things with breath to praise the Lord. Song is also clearly featured all throughout Scripture and is a featured…
“Gender is a social construct.” That’s shocking to people who have assumed that gender and sex were synonyms but at least since I was in college, in the ‘80s, we were taught that “gender” refers to the forms, the customs, the traditions that our culture teaches us to define what…
In Genesis 49, Jacob prophesies about (blesses and curses?) his twelve sons. The first three of them don’t fare well. Jacob recalls Reuben’s offense of taking his concubine (Genesis 35:22) and the murderous violence of Simeon’s and Levi against the Canaanite inhabitants of the city of Shechem (Genesis 34). He…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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