Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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Z ygmunt Bauman thinks we are awash in nostalgia. We have created a Retrotopia . Nostalgia, he argues, “is but one member of the rather extended family of affectionate relationship with an ‘elsewhere.'” Thus retrotopia shares characteristics with utopian inspirations and progressive projects, the main difference being that the Angel…
“T here's a new ‘sacred' in town,” write Juan and Stacey Floyd-Thomas in The Altars Where We Worship . It's not the old sacred of church, word, sacrament. They write, “Statistics reveal a startling gap between confession and practice in American religion. Slightly more than 70 percent of Americans in…
P atrick Deneen ( Democratic Faith , xiv) tells the story of the desacralization of the Cathedral of Saint Genevieve in 1791. The national assembly decided to “rededicate the basilica as a resting place for France’s revolutionary heroes. Above its doors were carved the words, ‘Aux grands hommes la Patrie…
I n his Aesthetics of Architecture , Roger Scruton summarizes RG Collingwood's distinction between art and craft. It has a surface plausibility: “Initially it seems quite reasonable to distinguish the attitude of the craftsman—who aims at a certain result and does what he can to achieve it—from that of the…
I n his book, Disenchanted Night , Wolfgang Schivelbusch considers the difference between lighting by torches and lighting with candles. With the torch, “the site of combustion and the fuel are one and the same thing, while in the candle they are clearly separated. From now on the wick acts…
H esiod's “Hymn to Hekate” seems to interrupt the Theogony to no good purpose. Hekate isn't a major goddess, and the hymn doesn't seem to be integrated into the rest of the poem. In her forthcoming bilingual edition of Hesiod's poems, Kimberly Johnson argues that “Hekate is integral to the…
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