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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Parenting

Guarding Our Eyes

It is a well-known movie trope, the sports car drives up, a stiletto-heeled starlet steps out and the camera follows her leg up the prodigious slit of her dress, then it takes in the rest of her figure before settling on her face, usually primed and puckered for some pro-feminist…

by Remy WilkinsSeptember 15, 2015
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Books

Are the Divine Persons Persons?

The “personalist” understanding of the Trinity, articulated most influentially in the work of John Zizioulas, has fallen on hard times. Recent scholars have attacked Zizioulas’s idea that Cappadocian Trinitarianism represented an ontological revolution, hammering again and again the distinction between divine and human personhood. Michel Barnes’s conclusion is the most…

by Peter LeithartSeptember 10, 2015
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Culture

Face To Facebook

I sit here in my office and poke around on a keyboard that is not even physically connected to my laptop and characters appear on a screen. I have a phone in my pocket through which I talk to someone around the world, send a text message, and to which…

by Bill SmithSeptember 8, 2015
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Prayer

Repent of Your Piety

I want to give a pep talk. Nothing fancy, nothing clever. Jesus makes some astounding promises in Luke 11. I want to clear out the clutter and convince you to believe Him and to act on it. The chapter begins with Jesus praying and teaching His disciples to pray by…

by Peter LeithartSeptember 7, 2015
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John

The Strange Love of Jesus

Eleonore Stump in her book Wandering in Darkness invites us to re-read the story of Lazarus (John 11) from Mary’s perspective. Stump argues that the story of Lazarus is a story of Mary, since both Lazarus and Martha are identified by their relationship with Mary. The true ending of the…

by Bogumil JarmulakSeptember 3, 2015
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Movies

Movies and Music with James Jordan

In his introduction to The Glory of Kings: A Festschrift in Honor of James B. Jordan , Peter Leithart says this about him: “Jordan is an unclassifiable thinker because he is an unclassifiable person . . . he closes his eyes in ecstasy listening to Messiaen or Rachmaninoff . .…

by Brian MoatsSeptember 2, 2015

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Uh, oh, they’re on to us

In the course of a screed of breathtaking condescension against large families, religion, and conservatism, SFGate.com columnist Mark Morford inadvertently stumbles upon an insight: “Why does this sort of bizarre hyperbreeding only seem to afflict antiseptic megareligious families from the Midwest? In other words — assuming Michelle and Jim Bob…

October 27, 2005

Uh, oh, they’re on to us

In the course of a screed of breathtaking condescension against large families, religion, and conservatism, SFGate.com columnist Mark Morford inadvertently stumbles upon an insight: “Why does this sort of bizarre hyperbreeding only seem to afflict antiseptic megareligious families from the Midwest? In other words — assuming Michelle and Jim Bob…

October 27, 2005

Father of Joy

The following thoughts came largely from a PCA minister from Virginia with whom I enjoyed a recent, stimulating conversation. The Triune fellowship is a fellowship of eternal infinite joy. The Father delights in His beloved Son, and eternally pours out the abundance of His Spirit on Him. The Son delights…

October 26, 2005

Constantine

Keanu Reeves seems incapable of playing anything but a Christ figure (remember his supersonic ascension at the end of Matrix 1). In the recent horror film, Constantine , he plays John Constantine (J.C. – get it?), an agnostic, chain-smoking suicide restored to life to work as a free-lance exorcist. He…

October 26, 2005

Staying put

Elijah goes to Gilgal, and Elijah tells him to stay. Elisha refuses, and together they move on to Bethel. Elijah tells Elisha to stay put again, but again he refuses and the move on to Jericho. When Elijah has departed and Elisha returns to the land, he “stays” in Jericho…

October 25, 2005

Musical and Narrative Structure

Mozart’s little Minuet in F from Don Giovanni has a simple form. After a 3-measure introduction, the main theme runs through several measures, and then repeats exactly. A second theme follows, and is again repeated identically, and the piece ends with a double repetition of the main melodic theme. This…

October 25, 2005

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