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American Religion

Protestantism's Lost Soul

D. G. Hart’s The Lost Soul of American Protestantism vividly clarifies the differences between evangelical and Confessional Protestantism. In part the book is a manifesto for historians of American religion. Hart argues that historians of American Protestantism have operated with a simplistic binary contrast of evangelical/conservative v. liberal/progressive. At best,…

by Peter LeithartAugust 18, 2015
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Books

The Idiot and the Limits of Compassion

Dostoyevsky’s novel, The Idiot , like his other major works, is a complex evaluation of the human condition—a juxtaposition of the innate goodness and innate evil that resides within every human heart. There is much one can say about The Idiot . I am no specialist of Russian literature, or…

by Gerald HiestandAugust 13, 2015
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Homosexuality

If There is “Natural Law” How Can People Believe in Same-Sex Marriage?

At risk of violating some secret handshake agreement on some important nuance to “natural law,” I will sum up what I understand in my own words. As far as I can tell natural law is supposed to be an area of knowledge that all people should be able to agree…

by Mark HorneAugust 11, 2015
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Biblical Studies

Cosmic Language, 2

The first installment of this article may be found here . The Image of Man This brings us to a substitutionary atonement which we do understand, the fulfilment of the cruciform Tabernacle in the cross of Christ. Although Jesus’ execution was Physical and Social, it was primarily Personal . Beginning…

by Mike BullAugust 6, 2015
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Genesis

Every Noise Appalls

The first two essays in this series drew attention to the structure of the first part of Macbeth and to the way Shakespeare incorporates the Garden of Eden into his story. Macbeth , we saw, is a temptation story in which, compared to the Biblical story, the temptation itself is…

by Ralph Allan SmithAugust 4, 2015
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Revelation

The Warrior and the City: A Wedding Homily

Revelation 19:6-9 Then I heard something like the voice of a great multitude and like the sound of many waters and like the sound of mighty peals of thunder, saying, “Hallelujah! For theLord our God, the Almighty, reigns. Let us rejoice and be glad and give the glory to Him,…

by Peter LeithartAugust 3, 2015

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Age of Silver

D avid's plan for the temple is partly a floor plan. He gives Solomon the pattern for the “porch” and its associated buildings, treasuries, rooms, courts (1 Chronicles 28:11-12). The plan also includes instructions for organizing the priests and Levites (28:13a) and for the utensils of service for the temple…

March 14, 2017

Sources of Inequality

I n his recently-published The Great Leveller , Walter Scheidel summarizes evidence from archeology and anthropological studies to answer the question, Has inequality always been with us? The answer is: Sort of yes. Inequality is a constant in societies that farm and herd. But farming and land ownership weren't the…

March 14, 2017

Classicists and Romantics

D avid gives Solomon the “plan” (Heb. tabnit ) for the temple. Unlike Moses, David doesn't have to climb a mountain to get it (cf. Exodus 25:9, 40). It comes from “the spirit ( ruach ) with him” (1 Chronicles 28:12), and from a “writing” from the Lord that comes…

March 13, 2017

Nietzsche, Destroyer of Idols

I n an essay in the journal European Legacy , Norman Fiering summarizes the thought of Eugen Rosenstock-Huessy on biography. Fiering asks whether there are recurring patterns in the lives of significant individuals, and, relying on Rosenstock-Huessy, calls attention to moments of “conversion” (not necessarily religious) and “grace” (unexpected encounters…

March 10, 2017

Modernist Puritanism

I n his 1971 study of Modernist architecture, The Golden City , Henry Hope Reed observed that Modernists transferred moral categories to architecture. Buildings could be “honest” (if they revealed their structure on the surface) or “false” (if they hid structure under ornamentation). Purity was invoked regularly as a positive…

March 10, 2017

Happy Gothic

W hat is “the Gothic”? Answers vary, and that is, Catherine Spooner argues (in Post-Millennial Gothic ), because Gothic bears “multivalent meanings” and “has adapted and changed with the times” (9–10). This isn't a recent development: “After Gothic's initial phase of popularity fizzled out around 1820, it quickly renewed itself…

March 10, 2017

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