Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Interwoven within Leviticus’ opening offerings is a redemptive storyline meant to be rehearsed. Each offering makes a particular contribution to the retelling of the Exodus deliverance. Like learning a dance, Israel’s opening rituals recount their steps from Egypt to Sinai in a fashion meant to perpetually imprint its experience on…
In Capernaum, the leaders of Israel questioned Jesus in their hearts. Beside the sea, they questioned his disciples about their rabbi’s practices. They challenged Jesus in the grain fields, sought to trap him in the synagogue, tried to seize him, thinking he was mad, and accused him of being possessed.…
An essay on ministry taken from recent notes for a ‘solemn charge’ I gave our pastoral team (together with their spouses) at All Saints Honolulu, a church-plant that enters its fifth year. I. After receiving the sword of Goliath from Ahimelech at Nob, and after fleeing first to and then…
When thinking about the book of Genesis, we often think of beginnings, the beginning of the world, humanity, the elect people of God. The word “genesis” itself means beginning. Genesis is also known as the book of promises. Genesis contains three of the major Old Testament covenants: Adamic, Noahic and…
A Theological and Typological Commentary on Luke 24:4 In Luke 24:4, we are told that as the women arrived at the tomb on Easter morning, they encountered “two men in dazzling apparel” standing beside them. This description, on its own, may not immediately provoke questions. The traditional interpretation identifies these…
For Part 1, click HERE . The four Gospel accounts give us their strange and wonderful historical accounts of the resurrection of Jesus. The rest of the New Testament, either explicitly or by suggestion, refers to the resurrection in every book except 3 John. Unlike the Gospel accounts, however, most…
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Some of the following notes were taken from a longer introduction to Julius Caesar posted on this site some months ago. INTRODUCTION For several generations, Julius Caesar has been a staple of high school English literature, coming from a period when education was rooted in Greek and Roman classics and…
Paul Nickell’s 1951 Westinghouse Studio One production of Coriolanus is fast-paced, well-acted, and, making allowances for technological weaknesses, interesting and fun to watch. It is also very unlike the play that Shakespeare wrote. The play begins with plebs rioting (or milling around) in the streets of Rome, complaining about the…
The stage history of Coriolanus is as interesting as the play itself. It has provoked riots and demonstrations, and has been used as a way of preventing riots and demonstrations. Here are a few excerpts from RB Parker’s excellent introduction to the play (The Oxford Shakespeare): RIGHT-WING INTERPRETATIONS ?In reaction…
Glory and Song, 2 Chronicles 5:1-14 INTRODUCTION As we close out this brief series on worship, we will be looking at two separate but related issues: the glorification of worship, and music in worship. These are related in several ways: Music is itself a means of enhancing or glorifying worship;…
INTRODUCTION For Elizabethans, Rome was not only an ancient power but a very real contemporary power. The plays of Shakespeare that are set in Rome and those derived from Roman models often work in both registers, bringing papal Rome into plays set in ancient times. I will look at some…
I wonder: If we take Shakespeare’s Julius Caesar as a play about both ancient and Papal Rome, then the point seems to be that ecclesiastical imperialism is unavoidable, that it will take its vengeance and return in more virulent forms. The “puritans” like Cassius attempt to cut the head off…
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