Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mystical theologians are often unguarded, extreme, un-nuanced, pressing to the edges of heresy, sometimes beyond. Still, the mystics are worthy of study. Why? Many reasons. Unlike some late medieval and post-Reformation dogmaticians, mystical theologians are often instinctively and richly Trinitarian. Historical-critical approaches to Scripture left mystical theologians virtually untouched; mystics…
Portia of Belmont is a “lady richly left,” as Bassanio says of her in the first Act of The Merchant of Venice . Plus, she’s beautiful and wise. Suitors clamber to Belmont in hope. Her father knew it would be so, and in his will set up a fairy-tale test…
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In the nature of the case, “the” Christian meditation on Deuteronomy 14:1-21 cannot be written. Meditation offers too many possibilities, opens too many doors. There is not one and only one correct set of associations for a Christian to consider when thinking of Deuteronomy 14:1-21. We could, for example, consider…
Having retold the story of the cumulative sin of Israel leading to the great atonement on the cross, Paul then reemphasizes that, just as both Jew and Gentiles were locked into sin and judgment, now they are both justified by faith: Then what becomes of our boasting? It is excluded.…
Deuteronomy 14 is full of allusions to events of Israel’s history and other portions of Scripture. What would an Israelite learn by mediation on these allusions? The answer, I believe, is at least fourfold. Faith, Worship, War For the ancient Israelite first hearing Moses’ sermon, or perhaps hearing it read…
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Simon Gathercole’s Where Is Boasting has some stimulating insights into the argument of Romans 2, and some important objections to the NPP. The following notes are based on Gathercole: 1) It is clear that in Romans 2, Paul considers this Jew to be unrepentant and an apostate from Judaism. It…
Seen on a pair of socks at the recent Atlanta AAR/SBL convention: “Hier stehe ich. Ich kann nicht anders” (“Here I stand. I can do no other.”)
Graham Ward begins his book True Religion with a discussion of the use of the word “religion” in Shakespeare’s Romeo and Juliet , and then compares two film versions to explore how the religious theme of the play is handled. The two film versions are Franco Zeffirelli’s and Baz Luhrmann’s.…
Doug Jones read Flannery O’Connor’s story, “Parker’s Back” at our weekly disputatio today. What a wonderful story! It includes a burning bush and theophany; a baptismal vigil that ends with the main character, O.E. Parker, bearing a tattooed picture of Jesus on his back; a temple-cleansing, when O.E. gets into…
Doug Jones read Flannery O’Connor’s story, “Parker’s Back” at our weekly disputatio today. What a wonderful story! It includes a burning bush and theophany; a baptismal vigil that ends with the main character, O.E. Parker, bearing a tattooed picture of Jesus on his back; a temple-cleansing, when O.E. gets into…
I have long thought of the two parallel sections of Jonah as basically retellings of the same story, but now I’m thinking that they are consecutive thematically as well as chronologically. Here’s the typology: Jonah/Israel is called to witness to the nations, and refuses. Yahweh forces him into exile in…
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