Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Because of sin, the arts sometimes do not serve to glorify but to debase. Sinful men make their environments ugly, and create ugly art to “enhance” their ugly words. But since all men are still God’s images, no men are able to live with such ugliness all the time. Thus,…
Arts and literature reviews in most evangelical Christian publications generally approach their subjects in terms of ideology. We are told whether or not the film or book is acceptable in terms of morals, sexual graphicness, and theological accuracy. While there is definitely a place for such reviews, I fear that…
We speak of God as Father, Son, and Holy Spirit. The early Church tended to speak of Him as Father, Word, and Spirit. In this short essay, I want to suggest some other ways to think of the Trinity, ways that I have found pastorally helpful in my own life…
I, Yahweh your God, am a jealous God, visiting the iniquity of the fathers on the children, on the third and fourth of those who hate Me, but showing lovingkindness to thousands, to those who love Me and guard My commandments (Ex. 20:5-6). The Second Word forbids acts of ceremonial…
8. The Table of Nations If we assume births every two years, and about 30 years between generations (cp. Gen. 11:12-24), we can come up with an approximate series of dates for the generations recorded in Genesis 10. We shall assume that all three of Noah’s sons had their firstborn…
Zechariah’s first prophecy (Zech. 1:1-6) was delivered in the eighth month of the second year of Darius. The notation of this date serves a number of purposes. Most obviously, it relates Zechariah’s prophecies to those of Haggai. By the time Zechariah delivered his first prophecy, Haggai had already chided the…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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