Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If utopia is a perfect place or at least the best possible social arrangement, it must be a very dull place where any change is a change for worse and not for better, where nothing can be new and good at the same time. There can be no conflict in…
Christians, even those who say much about ‘incarnational’ faith, can say surprisingly little about the way that God claims our bodies . Perhaps this is most striking in treatments of baptism, where the intensely bodily character of the rite would especially seem to invite comment. Even if the term ‘baptism’…
Dear Pastor, I believe the locus of the difference between us is your statement here: "There are mothers who choose to risk their lives and even die to preserve the fetus, there are those who wouldn't. There are the circumstances of the individual, family, income, community, illness, risk factors, etc..…
New Year’s resolutions for weight loss are practically on the liturgical calendar of America. Somewhere around the beginning of a new year, people resolve that they will get in better shape. Some are made to feel guilty by the obesity police in our country (whose standards are, many times, very…
Click HERE for Part 1 After sending my letter to the local pastors, I received a long and thoughtful post from one of the local pastors, and it was sent not just to me, but to all of the pastors whom I e-mailed. Unfortunately, I do not feel I can…
Narrative and story have been all the rage in theology for the last few decades. The attractions are obvious. Narrative theologians favor the active, unpredictable, vibrant God of Scripture to the impersonal first principle of philosophical theology. Narrative theologians reject the notion that theologians need to justify their work by…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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