Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Every attempt to understand the Christian sacraments makes use of comparisons or analogies with other rituals, events, or customs. Calvin and those who followed him, for example, spoke of the sacraments as “seals,” and compared them to the “seal of approval” that an official impresses on a document. Thinking about…
Eugen Rosenstock-Huessy has pointed out in his essay "Hitler and Israel, or On Prayer" (available for $2.00 from Biblical Horizons ) that it is God’s word "No!" that establishes in a culture the distinction between the Creator and the creature. The Bible repeatedly says "No!" to every human attempt to…
If you missed Gattaca at the movie theaters, you can probably check it out from your local video store now. And you should. This is one of those relatively rare thought-provoking movies that can stand being watched with brain in gear more than once. It is also poetic, sensitive, visually…
Part 4: The Nephilim Factor Western Civilization partakes of what I call "the Nephilim Factor." The Enoch Factor means that the pagans get there first. This is both a blessing and a danger. As a blessing, it means that they work out techniques of dominion over the lower creation that…
The Worship Service Then the one speaking with me took me by the hair and lifted me into the air in the middle of the great room. And as I watched, I saw people entering the room to the sound of the great bells outside. Then entered from all four…
Part 3: Philosophy (continued) If we realize that human beings are the images of God, and that man hates God, then we realize that all non-Christian political philosophy is founded on a fundamental hatred of other human beings, a hatred manifest in contempt. Rome, like Enoch, was founded on the…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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