Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Isaac E. Mozeson, The Word: The Dictionary that Reveals the Hebrew Sources of English (Northvale, NJ: Jacob Aaronson Inc., 1995), 310 pp. Reviewed by James B. Jordan. Once there was only one language in the world, the language God spoke to Adam. At the Tower of Babel, there came to…
2. The Setting of the Book of Esther A. Xerxes (continued from previous issue) Ezra 6:14 says that the Jews finished building "according to the command of the God of Israel and the decree of Cyrus and Darius and Artaxerxes king of Persia." The problem with this verse is that…
This essay goes with our previous study of the Amalek pattern back in Biblical Horizons No. 2. Since many do not have this essay, entitled "The Battle of Gog and Magog," let me cite the relevant paragraphs: Note in Genesis 12-15 that Abram moves into the land after escaping Pharaoh…
Proverbs 7:6-23 is one of several passages early in the Proverbs in which Solomon warns his son about the wiles and dangers of the "strange woman." It is certainly quite proper to take these as straightforward warnings against sexual sins, and these are certainly warnings that need to be impressed…
1. In Luke 4:20 we read that after Jesus finished reading from Isaiah, "the eyes of all in the synagogue were fixed upon Him." This is usually taken in a psychological sense: They were amazed at Jesus somehow. I suggest that, as always, a merely psychological reading is a modern…
2. The Setting of the Book of Esther Up to now we have assumed what we must prove, that the king in Esther is Darius the Great. While Biblical chronologists have usually taken this position, commentators on the book of Esther have often taken others as the king. One view,…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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