Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Part 1 We do not understand the role of women in ministry because we do not understand the role of men in ministry. We do not understand the role of men in ministry because we do not understand the church. We do not understand the church because the consumer culture…
1. One structure The Creation account (G1:1-2:4) conspicuously conveys meaning using the literary shape of the text. The narrative is told with formulaic patterns, repetitions, and parallelism. The Garden account is different. It is viewed as a separate text, with its own author, employing its own structure. This second account’s…
I was reading James Jordan’s Creation in Six Days while also preparing for Trinity Sunday in which the gospel reading is John 3:1-15. As providence would have it Jordan dropped an easter egg for me along the lines of baptism. In chapter 5 he points out, “ On the second…
It's true. There is no verse in the New Testament that commands or records an infant baptism. This poses a problem for some Christians. Those who only look for explicit commands, or those whose theology is limited to the New Testament, will conclude that infant baptism is not biblical and…
1. Goal This paper’s goal is to identify and describe a literary strategy employed by scripture, namely using two episodes that cover similar territory or themes using details drawn from opposite ends of a number of spectrums. Once described the reader may recognize numerous other instances of this strategy in…
Numbers 14 records the tragic story of Israel’s decision to rebel against Yahweh and Moses. Twelve spies had been sent into the land to bring back a report to Israel. All twelve spies agreed: “We went to the land where you sent us. It truly flows with milk and honey”…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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