Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If you’re a preacher looking for good commentaries on Ezra, you’ll struggle. Certainly to find ones that wrestle in good detail with the text. And certainly ones that don’t cost you an arm and a leg. There’s a good bit more for Nehemiah, which is odd, as the two are…
Quick thought experiment: try to pretend you’ve never read 1 John before. Read 1:1-6. Go ahead; I’ll wait. Now, on to v. 7: “But if we walk in the light as He is in the light, we have fellowship with ______….” What word would you expect in that blank, based…
In my work as a Bible translator, I was recently checking our translation team’s draft of Genesis 8:8, which says of Noah (translating the Hebrew quite literally): And he sent out the dove from with him to see: had the waters lessened from upon the face of the ground? Part…
Just in case a reader may not know Weinberg, he is a theoretical physicist and the winner of the Nobel prize in physics in 1979, as well as countless other prizes for his research. He is also a prolific, lucid, and captivating writer. If you want to read something on…
Colossians 1:15-20 is a famous passage in Paul’s epistles because it is a succinct and powerful poem. It appears even to have been a hymn. Given the uniquely Pauline language — “reconciliation” is a term used only by Paul — it should not seem odd to attribute the poem/hymn to…
Stalker (1979) is a film by Andrei Tarkovsky based on Roadside Picnic by the Strugatsky brothers. It shows a day from the life of a stalker, a man who enters the so-called "Zone", an Alien landing site, where he leads people to a room that grants people’s innermost desires, which…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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