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Biblical Studies

Genesis 38 from Multiple Angles (Part 2)

Summary : The Bible is a multi-faceted text. As a result, it can fruitfully be analyzed in many ways. Pace, context, flow, imagery: all of these aspects of the Biblical text are significant and instructive. Here, by way of illustration, I analyze Gen. 38 in a range of different ways,…

by James BejonOctober 22, 2019
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Hermeneutics

Genesis 38 from Multiple Angles (Part 1)

Summary: The Bible is a multi-faceted text. As a result, it can fruitfully be analysed in many ways. Pace, context, flow, imagery: all of these aspects of the Biblical text are significant and instructive. Here, by way of illustration, I analyse Gen. 38 in a range of different ways, and…

by James BejonOctober 15, 2019
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Biblical Theology

Church Planting as Garden Growing

The closing chapters of the Bible bring to fulfillment the mission inaugurated in the opening chapters of the Bible: the dwelling place of God expands to fill the entire new creation. The story of Scripture concludes having achieved God’s original intent for His people in the Garden of Eden, and…

by Drew KnowlesOctober 8, 2019
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Economics

Gift Economies Aren't So Giving

Oddly, the nature of pre -modern economies plays a central role in today’s policy debate over economic globalization and neo-liberalism. Analysts take ancient non-market economies as the standard against which to measure the economic and social effects of the market system. Scholars compare the distribution of economic goods and services…

by James R. RogersOctober 1, 2019
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Luke

Zacchaeus, (Part 2)

In part one of this essay, I mentioned that the story of Zacchaeus includes not only many details that point to other passages in Luke, but also details that point to the Old Testament, though we might not initially think of them. The first detail I have in mind is…

by Ralph Allan SmithSeptember 24, 2019
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Luke

Zacchaeus (Part 1)

The story of Zacchaeus includes numerous interesting details that link this story with others in the Gospel of Luke. There are also details that tie the story of Zacchaeus to the Old Testament in ways that we might not initially take note of. In the Gospel of Luke, the story…

by Ralph Allan SmithSeptember 17, 2019

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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