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Ephesians

Music and Drunkenness, Part 2

For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…

by John AhernMay 17, 2018
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Ephesians

Music and Drunkenness, Part 1

Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…

by John AhernMay 15, 2018
infant-baptism
Baptism

Unequal Holiness

In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…

by Bill SmithMay 10, 2018
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Violence

The Sword of Adam: Preterism vs. Pacifism, (Part 2)

For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…

by Mike BullMay 8, 2018
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Violence

The Sword of Adam: Preterism vs. Pacifism, Part 1

How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…

by Mike BullMay 3, 2018
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Theopolis News

Alastair Roberts Appointed As Adjunct Senior Fellow

Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…

by TheopolisMay 2, 2018

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Eucharist

Cult of the Host

One chapter of Emmanuel Katongole's A Future for Africa is a critique of the Ugandan Movement for the Restoration of the Ten Commandments of God (MRTCG). He argues that the movement has a “tendency toward isolation,” fails “to reimagine the nature of Christian leadership,” and exhibits a “lack of hope”…

July 21, 2015

You Are A Nanoverse

Tim Flannery's NYRB review of Paul Falkowski's Life's Engines and Peter Ward and Joe Kirschvink's A New History of Life sums up the authors' points: “our cells are comprised of a series of highly sophisticated ‘little engines' or nanomachines that carry out life’s vital functions.” These microscopic machines all work…

July 21, 2015

End of Music

The fall of Babylon brings an end to the sounds and sights of urban life. In particular it means the end of music (Revelation 18:22). Music once spread to the four corners of the city; when she is tossed into the cease, all four orchestra sections cease - harpists, musicians,…

July 20, 2015

Bound and Unbound

The verb “bind” (Greek, deo ) is used four times in John's gospel. The uses form a little chiasm: A. Lazarus emerges from the grave bound with grave clothes, 11:44. B. The Romans arrest and bind Jesus, 18:12. B'. Anna sends Jesus, still bound, to Caiaphas, 18:24. A'. Jesus is…

July 20, 2015

The Bible Teaches Us To Read It

Those who share in the first resurrection are not under the authority of the second death (Revelation 20:6). We know what the first resurrection is. John has just told us: Beheaded martyrs and those who resist the beast come to life and reign with Christ. “ This is the first…

July 20, 2015

Racism and the Modern Self

In his A Future for Africa , Emmanuel Katongole offers this brief analysis of the roots of racism. He argues that it is a specifically modern phenomenon, and that it is entrenched in “the story of the modern self, particularly the constant anxiety at the heart of the modern project.”…

July 20, 2015

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