Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Leo the Great's second sermon on the Ascension, Sermon 74 . I. The mystery of our salvation, dearly-beloved, which the Creator of the universe valued at the price of His blood, has now been carried out under conditions of humiliation from the day of His bodily birth to the end…
Life, Eugen Rosenstock-Huessy says, is suffering, battle, pain, shock, failure, elation. Human beings are always torn, always riven. Much of human life, individually and collectively, is an effort to deal with suffering and death. By being the first Man, Jesus establishes the possibility of a different stance toward suffering and…
Is Christian baptism given to believers only or to believers and their children? That’s the question that must be answered—but only if you’re Baptist or Presbyterian. That’s how the question is framed between these two denominations in this dispute, and it’s along these lines the debate unfolds as each side…
Again and again the liturgy of St Chrysostom calls God a lover of mankind. He is Philanthropolos Theos (man-loving God), Kurios Philanthropolos (man-loving Lord), Philopsychos (lover of the soul). Philanthropy wasn’t a Christian invention. Roman benefactors gave benefits to subordinates. What was new was the shape of philanthropy, for the…
Perhaps the most fearful of all possibilities in the world is the possibility of betrayal on the part of someone who is in a “position of trust.” This, unfortunately, is the first block in what ought to be the foundation of every marriage in the world. Every woman has a…
It seems that denominationalism has had its day. A 2009 Barna survey found that denominational commitments have gone squishy in mainline Protestant churches, and Evangelicals don’t fare much better than the rest. After a similar survey, Ron Sellers of Ellison Research said that Protestants are as “loyal to their denominations…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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