Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Introduction Isaiah 21 can only be understood in the light of its placement in the architecture of the second “volume” of the prophecy (chapters 13–27). The contents are arranged in twin sevenfold “columns” that represent the great bronze pillars of Solomon’s Temple: Jachin and Boaz, priest and king. The priestly…
A Biblical Reflection on the Purpose of the Constellations The starry heavens hold a place of wonder in the hearts of men. Since man’s creation we have looked up into the heavens and have beheld its glory. This is particularly true of the night sky. The stars, in their shinning…
The case for there being five discourses within the Gospel according to Matthew is a hard one to challenge: surely the closing formula “when Jesus finished these sayings” as found in 8:1, 11:1, 13:53, 19:1, and 26:1 settles it once and for all. And by the five instances of the…
The Long Commission The Great Commission of Matthew 28 has long been a cornerstone of American Evangelicalism. It has formed and fashioned the American church’s missional impulse. Yet when viewed from the wide lens of Scripture, from Genesis to Revelation, the Great Commission is revealed as one of the pillars…
I am delighted to see that more and more churches in the Reformed tradition are now recognizing that all baptized children are members of the body of Christ and therefore ought to be communing with the rest of the body at the Lord’s Table. This has been decades in the…
Good leaders have always been rare. In today’s world, they seem extinct. Joe Rigney’s recent book Leadership and Emotional Sabotage digs into the spiritual reasons for the leadership epidemic and recommends cures. Rigney starts with a summary of a book by Edwin Friedman called A Failure of Nerve . Friedman’s…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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