Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Building of the Temple Solomon began work on the Temple in the second month of his fourth year. This was the year 2993, a sabbath year. He finished in the eighth month of his eleventh year, the year 3000, also a sabbath. (1 Ki. 6:1, 38). This is said…
The Bible expresses its chronology not only in sequences of years, but also in sequences of sabbath years and jubilees. This enables us to make a cross-check of our chronology, and when we find apparent problems, to refine it. If our chronology is right, we should find some significant correlations…
Adele Berlin, Poetics and Interpretation of Biblical Narrative Sheffield, England: Almond Press, 1983. This volume is the ninth in the "Bible and Literature Series" under the general editorship of David M. Gunn. According to its author, who teaches Hebrew at the University of Maryland, the book is an effort to…
V. Propp’s classic work Morphology of the Folktale (University of Texas, 1968) argues that one of the basic structures of folk literature is "lack, lack liquidated." A king sets out to look for a wife, and the tale ends with a wedding. Often, the hero sets out on some business…
Luke’s gospel begins and ends in the temple. It opens with Gabriel’s annunciation to the priest Zacharias (whose name, appropriately, means "Yahweh remembers") of the coming of a forerunner. Zacharias is performing priestly service at the time. The book ends with the joyful worship of a new priesthood in the…
Last time we arrived at the year A.M. 3960 as the date for the inauguration of the New Creation through the death, resurrection, ascension, and session of Christ, and the sending of the Holy Spirit. We also saw that this is most likely the year of Paul’s conversion. Fourteen years…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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