Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When Samuel saw Saul, Yahweh answered him, "Behold, the man of whom I spoke to you! This one will restrain My people" (1 Samuel 9:17) Many English versions of 1 Samuel 9:17 read, "This one will rule over My people," but that is a mistranslation. The Hebrew verb is `atsar…
We have arrived at the tentative date of A.M. 3474 for the decree of Cyrus, and we have determined to operate as if the 70 weeks of Daniel 9 are literal years. We also decided that Messiah the Prince arrives at the beginning of the 70th week, after the 69…
The book of Proverbs appears as a largely random collection of aphorisms drawn from experience saturated in law. Despite its random arrangement, however, the book does have an over-arching structure that reinforces its main themes. One way to gather clues regarding the structure of a biblical book (or any book)…
I recently had the privilege and pleasure of reading the first draught of Gary North’s Economic Commentary on Leviticus , which will be out some time next year. Gary’s comments on Leviticus 27 were stimulating, and caused me to take another look at the passage. The results, which I sent…
As we have seen in this series, each time there is a new covenant, there is a break in the year-by-year chronology. At the same time, each time the break is crossed by information provided in the text. Thus, the year-by-year chronology breaks down at the birth of Abraham, but…
The Openness of Literature Let’s discuss literature for a moment. There are two ways a story or novel can close. The first is called poetic justice. When a story ends with poetic justice, the bad guys are all punished and the good guys are all rewarded. This kind of story…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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