Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Over the past few days, quite the event has developed at Asbury University down in Wilmore, Kentucky. University students have appeared at the Hughes Auditorium to worship and sing praises to God, which has continued for over 90 hours at the time of this writing. There is recent reporting that…
It is well-enough known that Nero was emperor from AD 54 when he was just 16 until his death as a young man of 30 in AD 68, just 14 years later. Paul ministered during most of those 14 years (we are not sure which year he died), accomplishing 3…
When the apostle Paul says, “For me to live is Christ!” (Philippians 1:21), we do not find it difficult to understand. Paul had been a faithful servant of Christ from the time that Christ confronted him on the road to Damascus (AD 30) and through Ananias told Paul that he…
I think there’s a layer to the Song of Songs which has been largely unexamined. The Song is about Christ and his church, Yahweh and Israel, the nature of the marriage covenant, and the marriage of the couple in the Song. But while the Song is “of Solomon” (or to…
In Philippians 1:12-13, Paul informs his beloved brothers in Philippi that his Roman imprisonment — which one would naturally think hindered his ministry and the preaching of the Gospel — actually resulted in the surprising and wonderful progress of the Gospel. Of course, from our perspective 2000 years later and…
In a recent post , I explored the threefold order of creation—heavens, earth, and sea—and suggested that in Genesis 1 God stamps heaven’s order, his own threefold nature, on the creation, giving earth a trinitarian shape. So what happens to the three-level architecture of creation after Genesis 1? We don’t…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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