Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If you’re a preacher looking for good commentaries on Ezra, you’ll struggle. Certainly to find ones that wrestle in good detail with the text. And certainly ones that don’t cost you an arm and a leg. There’s a good bit more for Nehemiah, which is odd, as the two are…
Quick thought experiment: try to pretend you’ve never read 1 John before. Read 1:1-6. Go ahead; I’ll wait. Now, on to v. 7: “But if we walk in the light as He is in the light, we have fellowship with ______….” What word would you expect in that blank, based…
In my work as a Bible translator, I was recently checking our translation team’s draft of Genesis 8:8, which says of Noah (translating the Hebrew quite literally): And he sent out the dove from with him to see: had the waters lessened from upon the face of the ground? Part…
Just in case a reader may not know Weinberg, he is a theoretical physicist and the winner of the Nobel prize in physics in 1979, as well as countless other prizes for his research. He is also a prolific, lucid, and captivating writer. If you want to read something on…
Colossians 1:15-20 is a famous passage in Paul’s epistles because it is a succinct and powerful poem. It appears even to have been a hymn. Given the uniquely Pauline language — “reconciliation” is a term used only by Paul — it should not seem odd to attribute the poem/hymn to…
Stalker (1979) is a film by Andrei Tarkovsky based on Roadside Picnic by the Strugatsky brothers. It shows a day from the life of a stalker, a man who enters the so-called "Zone", an Alien landing site, where he leads people to a room that grants people’s innermost desires, which…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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