Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1 Introduction ESTHER and RUTH are similar stories. Each details the changing fortunes of a young woman. Each begins with the protagonist in a destitute situation. The fortunes of each reverses by story’s end. Intriguing parallels exist: Scenes : The stories transition through a similar set of scenes, see Table…
Maybe this is not the best venue to reveal that I sometimes wonder about all that deep exegesis: the chiasms, the numerology, vowel modifications, the typological labyrinthes, the innumerable exodus patterns that are so often limned by Peter Leithart or James Jordan or Alastair Roberts. Maybe it’s because I am…
In 1923, J. Gresham Machen wrote the book he is perhaps most remembered for, “Christianity and Liberalism”. Machen wrote it to help map out the cultural currents that were impacting the church with the hope that the church could be vigilant against the dangers theological liberalism posed to historic Christianity.…
March 25, nine months before Christmas, is the date that is often associated with the Annunciation to Mary, Gabriel’s announcement to Mary that, by the coming of the Spirit upon her, she would conceive and bear the heir to David’s throne, whose kingdom would have no end. The story is…
Race and Covenant: Recovering the Religious Roots for American Reconciliation , edited by Gerald R. McDermott (Grand Rapids, MI: Acton Institute), 278 pp. A group of notable thinkers gathered to discuss biblical resources for addressing racial conflict in America in February 2019 at Samford University in Birmingham. Race and Covenant…
“Covenant Creationism,” which might be the most consistent brand of full preterism, is merely dispensationalism turned inside-out. The main cause of disputes over the interpretation of the Scriptures is the practice of interpreting texts in isolation. This applies not only to interpreting a passage without reference to other passages, but…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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