Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The history of the sin of Ham and the curse of Canaan comes in the middle of the Generations of Noah, a section of Genesis that begins at Genesis 6:9 and extends to the closing notice, Genesis 11:9. To understand the story better, it is necessary to get in mind…
This paper was written to persuade people who were members of the Presbyterian Church in America. It should be accessible to anyone who believes in baptizing infants–especially to those who consider themselves a part of the Reformation Tradition. References to “our Confession” or “our standards” invoke the Westmeinster Confession of…
Version 1.2 I write this brief essay in order to address a problem I have encountered. I keep reading explanations of doctrine of the sacraments fundamentally empty of the content which was once held by virtually all Reformed confessions and formulations. Furthermore, I read explanations and commentaries on the Westminster…
We continue our analysis of John Sailhamer’s book *Genesis Unbound: A Provocative New Look at the Creation Account* (Multnomah Books, 1996), which argues that Genesis 1:2ff. is not about the creation of the whole world, but about the preparation of the Land of Eden, which is also the Promised Land.…
III. Death of God’s Firstborn in the real Egypt: This huge chiasm has as its center the betrayal of Peter, as the leader of the disciples himself rejects Jesus. Peter holds an oficial position as high priest among the disciples of the incarnate Lord. His rejection of Jesus is the…
I wrote a response to Rev. Richard Bacon’s tract, What Mean Ye by This Service , a copy of which I borrowed from the library at Covenant Theological Seminary. However, I recently discovered that a new appendix was added to the version available on the Blue Banner’s web page. This…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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