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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Apologetics

Why Did Saul of Tarsus Identify Jesus of Nazareth with the God of Israel?

The god of Israel was not just any god. Two thousand years of Christian history, with it’s besetting philosophical temptations, and full-blown deist and transcendentalist and universalist problems, have obscured the fact that, in itself, the identity of the true god (or gods) cannot be predetermined, any more than the…

by Mark HorneNovember 15, 1998
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Biblical Horizons

Crisis Time: Patriarchal Prologue, Part 3

Jacob and Solomon God gave wealth and possessions to Jacob, and then threatened to take them all away at Peniel. Jacob wrestled with God, and through prayer Jacob saw through the crisis by faith and was made victor (Hosea 12:4). The Kingdom period in Israel concerns the same themes. We…

by James B. JordanNovember 4, 1998
Exodus

The Third Word

In our study of the historical impact and unfolding of the Ten Words of God, we now arrive at the Third Word. The Third Word prohibits hypocrisy, and when we realize this, we can see right away that disobeying the Third Word is closely tied to the situation of Israel…

by James B. JordanNovember 4, 1998
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Biblical Horizons

Crisis Time: Patriarchal Prologue, Part 2

Abraham and Joshua In our previous two essays, we considered aspects of the lives of Abraham and Jacob, as these display how God works with men in history. These two men carry in themselves all the future of Israel, so to speak, and their lives at the individual level correspond…

by James B. JordanOctober 4, 1998
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Biblical Horizons

The Case Against Western Civilization, Part 7

Part 5: Laying New Foundations in a Dying World (continued) Physical Training Though it is seldom recognized any more, the fact is that no liberal arts and no science is possible apart from peace, and peace is only possible if there is a strong military presence that protects a nation.…

by James B. JordanOctober 4, 1998
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Biblical Horizons

Crisis Time: Patriarchal Prologue, Part 1

Last month, in our essay " Patriarchal Dominion ," we observed the flow from Abraham to Jacob to Joseph. Our concern here is to advance our understanding of that narrative flow. I should mention that I am assuming much that is found in my book Primeval Saints: Studies in the…

by James B. JordanSeptember 4, 1998

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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