Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We have moved from death to new life, from Lenten darkness to Easter light. And while Easter Sunday may have come and gone, it's effects are continually with us. This season has brought with it several new relationships, events, and signs of growth for Theopolis. We have been networking with…
In The People's Work , a social history of Christian Worship, Frank Senn summarizes the developments of the medieval period with regard to the Eucharist. He begins by challenging the assumption that medieval society was held together by “the church.” He notes that the church was often divided and conflicted,…
The structure of the Bible resembles something which was grown rather than built, composed rather than assembled. Its employment of “structure-as-sign” at every level from micro- to macrocosmic leads to the conclusion that a hermeneutic worthy of Scripture requires not only training in history, art and music but also the…
For some in first-century Israel, Easter was anything but good news. It was a terrifying surprise. For the rulers and powers that put Jesus to death, the idea that He had been raised by some power beyond their control was chilling. Early in Luke’s gospel, we're told that Herod thought…
Simon Peter went up, and drew the net to land, full of large fish, a hundred and fifty-three; and although there were so many, the net was not torn. (John 21:11) This is one of those texts in the Bible that many people puzzle over. It is not a puzzle…
God is not mocked, Paul says. God is mocked, says Matthew. Who’s right? The two are in perfect harmony, but to see that, we need to run through the passage again. We’ll see that at every point, the mockery is being turned against the mockers. At every point, mockery is…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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