Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For ye had compassion of me in my bonds, and took joyfully the spoiling of your goods, knowing in yourselves that ye have in heaven a better and an enduring substance. Hebrews 10:34 There is an old Puritan dictum that goes, “Sit lightly on the world.” George MacDonald places it…
As Genesis unfolds, God chooses a line of promise out of the nations. One by one its offshoots are peeled away as the story zooms in on God’s chosen people, Israel. First, the line of Cain is peeled away as Cain is sent out from the presence of YHWH. Though…
The following article was an address given to Anselm Presbytery (CREC) in the Fall 2024. Grace to you and peace from God our Father and the Lord Jesus Christ. Pray with me. Father of Heavenly Lights and fount of all Wisdom, guide us we pray, by your Word and Spirit,…
At my age, I’ve given up on the fantasy of “keeping up.” Much of my reading is now narrowly focused, research-reading in service of writing projects. If you want bibliography on the ontology of artifacts in Aristotle and Thomas Aquinas (which you don’t), or the purity laws of Leviticus, or…
I have been reading, thinking, and writing about the Internet and its effects upon our identities, communities, polities, and discourses for nearly a copy of decades. In that time, I have encountered no book as perceptive on the subject as Antón Barba-Kay’s A Web of Our Own Making: The Nature…
Identifying the men Paul refers to as “enemies of the cross” in Philippians 3:18 turns out to be relatively difficult. Peter O’Brian speaks of “all kinds of suggestions regarding their identity,” and offers a list of interpretations: “moral libertinists, behavioural materialists, orthodox Jews, lapsed or apostate Christians—because of persecution, Jewish…
Showing page 14 of 309
Showing page 43 of 43
Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
Showing page 1883 of 2212
Your weekly digest for all things Theopolis.
