Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In my last essay, we saw how consumer culture has gutted the familial category necessary to understand the church. When a consumer visits a church, he expects another service-provider, such as a hospital or a restaurant. He doesn’t understand the role of men in ministry, and thus, not the role…
First time visitors to our church sometimes express their surprise that children, even the youngest, participate with their parents in the entire worship service. Many congregations created an expectation for the parents (and children) of Sunday School or Child Care being available during the entire worship service or during the…
Quantifying the Love of God “For God so loved the world that he gave his only begotten son, that whosoever believes in him should not perish, but have everlasting life” ~ John 3:16 This most beloved verse in all the Bible was spoken by the Savior himself to Nicodemus. As…
While The Lord’s Prayer enjoys wide recognition throughout the Church, its richness and depth may be unrealized due to a lesser familiarity with, what I will argue is, its primary inspiration: the Tabernacle. There, Christ’s intent can rightly be discerned. The Prayer’s methodological correction to the Jews and Gentiles wasn’t…
The Consumption of the Covenant Idea of the Church Last time we saw consumerism, having canalized its attitudes in our culture, shapes what the consumer sees when he or she steps into a church. Here, we’ll see how it has eviscerated the covenant and familial ideas necessary to understand the…
The ignoble Jayber Crow can stir your appetite for the noble. It’s the simplicity of a good ol’ Port William boy that builds the charm of the book. In fact, the elitists in Port William receive the harshest blows and severest outcomes, as they should. But before delving into the…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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