Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mark Horne has done a good job elucidating how martyrdom paves the way for revival and success of Christ’s kingdom in the world, just as it also can bring more hardship and suffering. The diverging wheat and tares both growing up together, both benefitting from the watering of blood on…
For Part 1, click HERE . Anyone who has read James B. Jordan’s Through New Eyes: Developing a Biblical View of the World and appreciated it as a revelation of how God communicates in symbols and types—both in His Word and in the created order—understands what it is like to…
Abel was the first martyr in history. There is no evading this. Jesus pairs him with a murdered prophet (Matthew 23:35; 2 Chronicles 24:20-22). Abel’s blood was heard by God (Genesis 4:10), and God responded to the cry by driving out Cain, Abel’s killer, from the eastern borderland near Eden…
Adapted from The Shape of Isaiah: A Covenant-Literary Analysis The prophetic texts are the most difficult parts of the Bible to understand. And when it comes to baffling the reader, they are no respecter of persons, perplexing with their Delphic wiles even the studied scholars. It has been said that…
The subtitle for the 2004 film Dodgeball is “A True Underdog Story.” If the viewer lets the words pass by without a double-take, he or she will likely spend the rest of the movie, which applies the “unlikely teammates make the best teams” trope to the “sport” of dodgeball, asking,…
The book of Ezra gives an almost odd amount of attention to vessels. These holy vessels, whether cups, bowls, or flagons, are either dedicated as tribute or were used in temple service. The two Hebrew words translated as ‘vessel’ in most English translations are used a total of 14 times.…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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