Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Many contemporary thought leaders have spoken intriguingly about a future without Jesus or, to be more precise, a future in which the transcendent truths of the Christian faith hold little or no sway over society. More to the point, these thought leaders often pose as anthropologists who find Christianity dehumanizing…
Jeffery Bishop’s magisterial The Anticipatory Corpse concludes with a question: “Might it not be that only theology can save medicine?” 1 To that question I want to give not merely a general affirmation, but a particular affirmation. Not only can “only theology save medicine” but, in fact, only a biblical…
John Ahern recently made the case on this site for having shorter hymnals. “ I believe hymnals should be shorter than they are ”, he says. “ Much shorter. 100 hymns at most. ” Swap hymnal for “repertoire”, or “hymns” for “worship songs” and it all still applies. A big…
The Psalter is the hymnbook of the church. For too long, the psalter has taken a far-secondary place in the worship of God's people. And when psalms are sung, they are often changed drastically from what the Spirit gave us. In this course, Paul Buckley and Brian Moats will explore…
The Theopolis Institute is pleased to announce that Dr. Trevor Laurence is the winner of the 2021 James B. Jordan Prize for outstanding work in biblical theology. Dr. Laurence receives this award for his 2020 Exeter dissertation, “Cursing With God: The Imprecatory Psalms and the Ethics of Christian Prayer.” Laurence…
In late 2013 two nearly simultaneous events happened in evangelicaldom: Mark Driscoll was publicly accused of “plagiarism” and Ergun Caner was hired as the president of a Christian college. The first appears to be the first domino that would lead eventually to Driscoll resigning as the pastor of Mars Hill…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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