Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
One evening at dusk two men met under a portico near the North wall in Jerusalem. They greeted one another cordially and sat down on a stone bench. They were both Pharisees. One of the men appeared to be uncomfortable and kept looking around nervously. The other said, “Don’t worry,…
John Williamson Nevin’s Controversy With Charles Hodge Over the Imputation of Adam’s Sin (with a Comparison to Robert L. Dabney) If one is blessed to discover George P. Hutchinsons’s monograph on Original Sin in nineteenth-century Reformed thought, 1 no student of American presbyterianism can fail to be fascinated. What once…
If you stop people on the street and ask them, “Where is God?” you’ll get a range of responses from a vague sense that He’s “up there somewhere” to a generic omnipresence (and it goes downhill from there!) What God does in Acts 2 challenges us to develop and apply…
Then some of the scribes and Pharisees answered him, saying, “Teacher, we wish to see a sign from you.” But he answered them, “An evil and adulterous generation seeks for a sign, but no sign will be given to it except the sign of the prophet Jonah. For just as…
John Walton believes that modern Christians have lost multiple worlds: The Lost World of Genesis One; The Lost World of Adam and Eve; The Lost World of Scripture; The Lost World of the Israelite Conquest; The Lost World of the Flood; The Lost World of the Torah. I believe this…
How should the church respond to the pandemic? N.T. Wright has written a book which searches the depths of Scripture to answer this question. Our challenge is that we do not yet understand the pandemic, at least not with any degree of consensus. We don't know whose fault it is,…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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