Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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At the end of his wonderful essay on “Art and Sacrament,” the Welsh poet and painter David Jones included a fragment that he wrote and rewrote over several decades. Here is wisdom: I said, ah! what shall I write? I inquired up and down (he’s tricked before with his manifold…
In a 2003 TNR review of Roman Polanski’s Oscar-winning film, The Pianist , Michael Oren gives information about Wilm Hosenfeld, the German officer who assists Szpilman: “while scrounging in an abandoned house for food, Szpilman comes face-to-face with a German officer. Instead of drawing his revolver, the officer asks Szpilman…
Here are a couple of selections from a September 2004 New Yorker interview with Marilynne Robinson: Q. “In your nonfiction collection, ‘The Death of Adam: Essays on Modern Thought,’ you wrote about the sixteenth-century theologian John Calvin, and about his strong sense of humanism and tolerance and his importance to…
Charles Segal argues in his Singers, Heroes, and Gods in the Odyssey that Odysseus’ return to Ithaca is a return to himself. This works in several dimensions. Through the second half of the epic, various characters reconstruct the story of Odysseus’ life - the story of his naming and the…
Charles Segal argues in his Singers, Heroes, and Gods in the Odyssey that Odysseus’ return to Ithaca is a return to himself. This works in several dimensions. Through the second half of the epic, various characters reconstruct the story of Odysseus’ life - the story of his naming and the…
Discussing the question of the corporeality of angels, Herman Bavinck argues that angels cannot have bodies because that would imply they are material and “matter and spirit are mutually exclusive.” He charges that “it is a form of pantheistic identity philosophy to mix the two and to erase the distinction…
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