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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
darwin
Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Philosophy

Cinematic perception and Zeno’s arrow

Henri Bergson attempted to solve the paradox of Zeno’s arrow (which can never cover the infinite points between the bow and the target, and yet does) by calling attention to the implicit spatialization of time within the paradox. The space in which movement takes place is divisible, but the duration…

May 5, 2005
Philosophy

Cinematic perception and Zeno’s arrow

Henri Bergson attempted to solve the paradox of Zeno’s arrow (which can never cover the infinite points between the bow and the target, and yet does) by calling attention to the implicit spatialization of time within the paradox. The space in which movement takes place is divisible, but the duration…

May 5, 2005

Romans 8, continued

INTRODUCTION Paul is talking about the liberation of creation from bondage to decay and corruption into freedom. This raises the question of the time frame for the fulfillment of this prophecy. It is normally taken as a reference to the end of the world. The ?redemption of the body?E(v. 23)…

May 5, 2005

Osiander and the Reformed Tradition

Julie Canlis has a helpful article on Calvin’s response to Osiander in the International Journal of Systematic Theology (6:2 [2004]). A few points are worth highlighting: 1) She sees the response to Osiander as part of the reason why Reformed theologians tend to be skittish about talk of “participation.” Calvin,…

May 5, 2005

Justification and Reformation

In two older articles, Alister McGrath examines the sources for the Reformation doctrine of justification, covering ground also covered in his 2-volume Iustitia Dei. The first article, published in the Harvard Theological Review in 1982 (75:2, pp. 219-242) examines the evidence for claiming that the Reformation doctrine of justification was…

May 4, 2005
Theology

More on Hart, The Beauty of the Infinite

Covenant of Light. This section concludes Part I of The Beauty of the Infinite , entitled ?Dionysus Against the Crucified.?E With this section, Hart concludes his critique of classical, modern and postmodern thought, and the outlines of the Christian ontology that interrupted the history of metaphysics and that he develops…

May 4, 2005

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