Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stalker is a Soviet-era film by Andrei Tarkovsky in which an enigmatic location comes into existence either through an alien crash or a nuclear disaster; the film never makes it clear, but knowing Tarkovsky’s criticism of the spectacle nature of the alien motif after his own filming of Solaris and…
I was scrolling through Instagram on the night of Thanksgiving, the only one awake (as usual), coming down from my extrovert-high after all the conversation and merriment of the day, when I came across a post that stopped me in my tracks. The post contained a picture-perfect image of some…
The Theopolis Institute is pleased to announce the fourth round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
Suppose I were to write three versions of a story. In every version, the first half of the book looks forward to the coming of the king. There are promises about him and about how glorious his kingdom will be, about how his kingdom will fill the earth with peace…
Introduction Doug Wilson’s American Milk and Honey is now available. There’s a great deal in the book worth commenting on, and I anticipate engaging with that material more broadly in the near future. In the lead up to its release, however, Moscow has not been silent concerning Israel, the Jews,…
Our telling of the Prodigal Son parable usually (and rightly) focuses on the runaway younger brother: the lost son returns, and his father joyfully and graciously receives him. But the full story has an additional element: an angry older brother. Jesus uses the older brother to rebuke the religious leaders…
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God did not need to make the world. But once He’s made it, He cannot be a righteous God unless He deals righteously with sin (by punishing it) and righteously with His people (by justifying them). This is why Paul says the cross demonstrates God’s righteousness so that He might…
God did not need to make the world. But once He’s made it, He cannot be a righteous God unless He deals righteously with sin (by punishing it) and righteously with His people (by justifying them). This is why Paul says the cross demonstrates God’s righteousness so that He might…
Jim Jordan suggests that justification as forgiveness of sins always also includes glorification. The “robe” that covers us (imputed righteousness) is likewise a garment of glory and beauty, so that we are invested for office at the same time we are glorified. He wants also to relate this to the…
The story of the 10 lepers in Luke 17 is not just about Jesus demonstrating that He is powerful to save, cleanse and heal. He is powerful for all those things; He DOES have mercy on the unclean and the outcasts. But Luke tells the story of the healing almost…
Part of the Renaissance recovery of history was an emphasis on mutability and change. Few themes so dominate the poetry of Spenser or the sonnets of Shakespeare as the fear that Time will gobble up everything good. This was continuous with ancient (and medieval) conceptions of the world, since changeability…
“Movies,” writes Brian Godawa, a Christian screenwriter, “may be about story, but those stories are finally, centrally, crucially, primarily MOSTLY about redemption.” Godawa uses the theologically loaded term “redemption” intentionally, but he recognizes that many contemporary movies present a distinctly secular gospel of redemption. For some movies, redemption comes through…
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