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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
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Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Day of Wrath (Romans 2)

What about taking “day of wrath” in Romans 2 as AD 70? Some arguments: 1) Dunn lists the verses that use similar phrases for “wrath and indignation” and “tribulation and distress,” and most of them are about historical judgments on Israel. There’s a cluster of uses in Deut 28:55ff, which…

November 7, 2003
Theology

Intellectualism and Voluntarism both arise

Intellectualism and voluntarism both arise from the same theological error: from the assumption that there is some realm that is independent and autonomous. This is most obvious with intellectualism: For intellectualists, things have indepdendent value that God recognizes and evaluates. Voluntarists are, however, making the same error. They assume that…

November 6, 2003

Studebaker on Pauw

Steve Studebaker writers in the Scottish Journal of Theology (56:3) about Edwards’s trinitarian theology, and includes an extended critique of Amy Plantinga Pauw’s treatment of Edwards’s incipient “social trinitarianism.” According to Studebaker, Pauw’s analysis only works if one assumes that the history of Trinitarian theology can be sketched out as…

November 5, 2003

The Olive Tree (Romans 11)

In the same issue of JSNT, Philip Esler examines ancient oleiculture to illumine Paul’s use of the olive tree image in Romans 11. When he describes branches being grafted into an olive tree, Paul refers to a common practice. But the normal practice is to graft cultivated olive branches onto…

November 5, 2003

Acts 20:20

Jerome Neyrey has an interesting article on Acts 20:20 in the current issue of JSNT. He examines the cultural background to Paul’s use of the phrase “in public and from house to house” by examining various expressions in Greek and Latin writers that correspond to modern “public” and “private.” These,…

November 5, 2003
Literature

Modernity

To what extent is modernity merely a recovery of the tragic? Tragedy, to my knowledge, simply didn’t exist in the medieval world. Drama revived late in the medieval period, but tragedy was reintroduced by the Renaissance. In Shakespeare, the tragic is set in a larger Christian comic setting, with profoundly…

November 5, 2003

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