Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
First, I love my Christmas songs. This is how I think of it: the season of Advent gets in the way of singing what I want to sing. How can you not listen to Nat King Cole in December? Or Bing Crosby, Harry Connick Jr., and Amy Grant? Even though…
Introduction Imagine the stereotypical American grandparents. Once you have the outline, start filling in the details. What picture emerges? Maybe something like what Ogden Nash said, “When grandparents enter the door, discipline flies out the window.” Or maybe the oft-repeated assertion that it’s the grandparent’s job description “to spoil the…
Hundreds of generations of ancient Israelites grew up as children of Abraham, inheritors of the covenant—the promises of God. These promises were more than nice bumper stickers or framed photos to cover empty space in their homes–these promises were at the heart of their very identity–individually and collectively. Genesis “I…
Aliens and Sojourners When the question “Is there life on other planets?” is asked, even the best theologians can only reply, “The Bible doesn’t tell us.” Well, in truth, the Bible does tell us, but only if we are paying attention. …and there was not a man to till the…
John runs a theme throughout his gospel that bubbles under the surface—Jesus is searching for, and finding, a wife. John launches into the narrative proper with a statement of where he’s going. “On the third day there was a wedding” (John 2.1) is about as good an example of flash…
I have come to believe that a great many people are almost too weak to repent in any very open way. There must first be some level of healing. In some cases, including biblical ones, there is not even any evidence of faith on the part of the recipients of…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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