Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
That there is something wrong with the world is obvious. It does not take much time or brilliance to notice it. Once we get the feeling that we could imagine a better world, we are tempted to fix it or, if we cannot, to escape it. For both the world-fixers…
“Our Father in heaven,” what is man that we should be called your sons and daughters, beloved children of God Almighty, Maker of heaven and earth, Yahweh of Hosts, the Ancient of Days. You are not a father preoccupied with work or engrossed in your smartphone; you are a present…
The Son of God took on human flesh and entered into the sin and suffering of our world. His life and teaching and suffering from His conception to His suffering on the cross teaches us a lot about how the good news enters into the world. Recently, I was teaching…
There is an unspoken rule about typology that permeates Evangelical thinking. It goes something like this: “If the New Testament authors don’t use an Old Testament character as a type, we don’t either.” There is a soundness in this reasoning, at least in a preliminary sense. There is no better…
In The world of Silence, Max Picard writes, “There does not seem to be any space left where there could possibly have been anything but noise. We take it for granted much as we take the air itself for granted. Everything begins and ends with noise.” Is it fair to…
God is Not There God is not in the book of Esther. Do a word search and you will get 0 results. Also try Lord, Yahweh, Prayer, Temple, or Sacrifice. Even names with God’s name in them, like Elijah, Jeremiah, or Daniel are missing. The fool says in his heart,…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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